Stefanie Schneider lives and works in Los Angeles and Berlin.
Stefanie’s scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. She works with the largely uncontrollable chemical mutations of expired Polaroid film stock.
It’s amazing to witness an artist who embraces one of their greatest limitations, turning it instead into one of their greatest advantages.
For Korean artist JeeYoung Lee the question was how to utilise her small studio space in Seoul measuring just 3.6m x 4.1m x 2.4m (11.8′ x 13.5′ x 7.8′). Instead of finding a new location or reverting to digital trickery, Lee challenged herself to build some of the most elaborate sets imaginable for the sake of making a single photograph.
London based photographer, Jaroslav Wieczorkiewicz, has created a 12 month calendar inspired by retro calendars featuring 1940s pinup girls. Except the girls aren’t wearing clothes—they’re wearing milk! Very fast milk.
Frozen with high speed strobes, each image is layered from hundreds of photographs capturing splashes on real models using real milk. Inspired by iconic images from artists like Gil Elvgren, Wieczorkiewicz shoots up to 200 frames to complete an image. The frames are then layered in Photoshop and combined seamlessly to complete the dress.
This is a selection of images from Inventory: 10 Polaroid Years, an exhibition featuring London photographer Wendy Bevan’s archive, currently on show at The Cob Gallery, London.
Wendy Bevan is known for her surreal aesthetic, and a tender, sympathetic portrayal of the feminine form, working exclusively in Polaroid film.